Posted in 1960s, 1967, Holiday Songs

58–Alice’s Restaurant Massacree

Click here for a transcript of this week’s show. 

Arlo Guthrie in a still from
the 1969 film Alice’s Restaurant 

The early-to-mid 1960s was a great time to be a folk singer, whether or not you were the protesting type. And Arlo Guthrie, son of Woody Guthrie, had the decade pretty much fall into his lap. It didn’t hurt that he was actually kind of good at it.  And when, as a freewheeling 17-year-old, he and a friend took a fateful trip to the town of Stockbridge, Massachusetts to visit a couple of friends for the Thanksgiving weekend. It turned out to be an adventure that he later immortalized in a song. Between airplay on a single radio station in New York City and its inclusion on the Newport Folk Festival’s main stage, Arlo was able to get a record contract and the song became the entire first side of his debut album. 

And despite the song’s 18-1/2 minute length, and its subject matter (much of which was taboo then), and some of the language used (some of which is taboo now), the song continues to get radio airplay, in full, and unedited. 

Although the restaurant and the microbus are long gone, Guthrie continues to perform the song from time to time, though he’ll update the lyrics so that they’re either more topical or less offensive. Or both. 

And as usual, for the nine of you who don’t use the podcatchers, here’s the episode for listening or downloading:

And of course, if you DO use a podcatcher of some kind, please leave a rating and/or a review. I really appreciate the support. 

Posted in 1960s, 1968, 1970s, 1972

57–Shel Silverstein, Part I

Click here for a transcript of today’s show. 

Image result for shel silverstein -site:pinterest.com

Shel Silverstein was a humorist, a poet, a cartoonist, and a musician who had a strong, if not especially obvious, influence on pop music through the late 1960s, up into the 1980s. Most people know him for his poetry books largely aimed at a children’s audience, but he also provided cartoons for Playboy Magazine, usually inserting a caricature of himself into the image: 

Image result for shel silverstein playboy cartoon -site:pinterest.com

And he’s also responsible for the dark, subversively comic Uncle Shelby’s ABZ Book, an alphabet book you do NOT want your kids to read (but you should, because it’s hilarious): 

Image result for uncle shelby ABZ -site:pinterest.com

But Silverstein was a songwriter who had an especially strong relationship with Dr. Hook and the Medicine Show, and that led to a couple of their bigger hits, including a song that was essentially a parody of the rock star life, but it led to the sort of fame that only he could imagine: 

Image result for dr hook rolling stone cover -site:pinterest.com

You know the drill by now–Either you have the episode, or you’re looking to get it here: 

And if you’ve taken the time to leave a rating somewhere, thanks so much for the boost! If you haven’t, that’s OK but please consider doing so. 

Posted in 1950s, 1959, 1970s, 1978

56–Shout

Click here to view a transcript of this show. 

The Isley Brothers were an act that seemed to do well on stage, but they were having difficulty getting traction as far as record sales or radio airplay were concerned. While performing in Philadelphia, Ronald Isley recognized that their cover of Jackie Wilson’s “Lonely Teardrops” was getting a terrific response from the audience, so he started ad-libbing a call-and-response section to keep the song going. It worked out so well that they kept doing the bit, and when they’d finished the series of performances, their producers suggested that they turn the bit into a single of its own. And a gigantic hit was born!

Ha, Ha! Just kidding. The song only went to #47 on the Billboard charts. But it became a popular party tune, and was covered repeatedly by numerous artists, including Lulu, who was only 13 years old and still performing as Lulu and the Luvvers. Here’s her 1965 appearance on Ready Steady Go. I like the full ending she puts on the record, and the way she gives up lip-synching before she’s quite done: 

Finally, 1978 rolled around and the song was used in the film National Lampoon’s Animal House, performed by a fictional band called Otis Day and the Knights, which re-activated the song’s popularity (and contributed heavily to the Isleys getting Gold certification for their version), and allowed the singer of the band (not the guy you see on stage, that’s a lip-synching actor) to put a real Otis Day band together and go on tour. Over ten years later they recorded an album with a new recording of “Shout”. 

The Knights, with Otis Day off-camera. That’s Robert Cray playing bass, second from right. I have to admit, at first I thought it was Matt “Guitar” Murphy. 

If you usually get your podcasts from somewhere else, well, you should already have it by now. Either that or you ran out of data on your plan and you’re waiting for the next cycle to come around. But anyway, if you listen and/or download from here, have at it:

And, of course, ratings and reviews are always welcome. Which reminds me to send a big Thank You to StampingJulie, who was too kind to me over at Apple Podcasts recently.