The Who was gaining popularity in the UK, but they hadn’t reached the point of having huge amounts of money yet. So when Pete Townshend found himself accidentally(ish) living in a posh neighborhood near Buckingham Palace, he noticed that everyone around him was treating him badly. So on his twentieth birthday, while sitting on a train, he composed this song, as a means of getting back at all the rich people who were mean to him.
Why didn’t I think of that!? Oh, well.
Here, incidentally, is their performance during which Townshend nearly gets his head blown off. Unfortunately there doesn’t appear to be a clip of the entire performance.
Here’s this week’s episode for your listening and/or downloading pleasure:
Finally, this is the artwork related to the trivia question for this episode. If you’ve heard the episode and you want to see what I’m talking about, click the button to show the art. If you haven’t heard it yet, go back and listen first. It’s OK, we’ll still be here for you.
Incidentally, I’ve gotten several positive comments and suggestions from listeners and I really appreciate them. Keep them coming!
The Great Society was one of a number of 1960s bands with that name, but the thing that makes this one distinctive is that it had a singer by the name of Grace Slick. They were playing in clubs in the San Francisco area, and frequently opened for another local band by the name of Jefferson Airplane. When the Airplane lost their lead singer (on generally good terms), Marty Balin reached out to Grace Slick, and she accepted their offer, not knowing that Columbia Records was about to offer the Great Society a record deal. But it was this incarnation of the Jefferson Airplane that finally broke through to the public, and they pretty much stayed that way until a couple of members left in 1970 to form Hot Tuna. Eventually they regrouped and, in 1974, upgraded their technology (I guess?) to become Jefferson Starship.
I should note that while I often use digital sources (CDs or streaming downloads) for the music on this show, in this case both of the Great Society tracks I play in this episode came from a vinyl album I discovered in a thrift store in Selma, NC, titled San Francisco Roots, which is a compilation of music from bands based out of that area in 1964-65. I’ve run them through a little noise reduction, but it’s still pretty clear that you’re getting some surface noise on this one.
And as usual, here is the file for your downloading/listening pleasure.
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David Allan Coe is one of those figures in the music firmament who people seem to either love or hate, at least as a performer. As a songwriter, he’s remarkably talented and for awhile his work was among the most in demand on the Nashville scene.
But it was a song he didn’t even write that put him on the map as a performer. Writing credit for “You Didn’t Even Know Me By My Name” goes to John Prine and Steve Goodman, both of whom recorded it before Coe got his hands on it, though nearly everyone agrees that Coe’s version is the definitive one.
By the way, I mentioned during the show that “Take This Job and Shove It” was another Country song that had a wry sense of humor and had a connection to this one. That connection is Coe, who wrote “Take This Job”.
This week’s episode is below. Enjoy it as you will. And please remember to share the show with someone if you’re enjoying it.