Episode 103–A Whiter Shade of Pale

Bear with me this week; I’m fighting off some kind of respiratory thing and I’m sounding like Peter Brady singing “Time to Change.”

By the way, isn’t it cool the way we get that flanging effect only when Marcia and Greg are singing solo, despite the group microphones?

Why yes, I am a fussbudget. Nice to meet you.

This week: it was Procul Harum’s debut single, and at last count it was the song most played EVER on UK radio. Not a Beatles or Stones tune; this one. How about that!

I feel a little badly because I didn’t really leave anything out of my script for the benefit of putting something cool here, so I guess you’re out of luck in that respect. But if you’re here to listen to the embed, I’ve got some good news for you: here it is!

Click here for the transcript to today’s show.

Episode 102–The First Time Ever I Saw Your Face

Roberta Flack was one of those artists that the label couldn’t quite pigeonhole, which meant that they couldn’t find a way to make her accessible to listeners. As a result, her first two albums got some positive press, but the sales weren’t especially great.

It wasn’t until after her second album came out that a track on the first album caught the attention of a first-time movie director by the name of Clint Eastwood. He called Flack at home and asked if he could use the song in his film, a psychological horror film about a disc jockey called Play Misty For Me. It took a little bit of convincing (about two thousand dollars’ worth), and the song made it into the film.

When Play Misty For Me turned into a hit, Atlantic Records finally saw the light and released a slightly shorter version of the song on a single, and it became the first of several big hits for Flack over the next few years.

What most people don’t realize is that Flack’s recording was a cover of a song written and recorded in 1957, and covered rather faithfully several times after that. But once it hit for her, the covers began to sound more like Flack’s version. And while the song finally becoming a hit made its writer a ton of money, the truth is, he’s never really liked anyone else’s recording other than the one his then-girlfriend made.

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Incidentally, here’s the link to the Flaming Lips/Amanda Palmer video that I discuss during the show. It’s definitely Not Safe For Work. You have been warned.

For you independent types who don’t use Google Podcasts or some other podcatcher software, here’s the show for your listening/downloading pleasure:

Click here for a transcript of this episode.