125–Psycho Killer

Click here to become a patron of the show.

It’s about time I got around to covering the Talking Heads, don’t you think?

Weirdly, a lot of their material is kind of under-researched, unless you’re willing to do deep dives into the biographies and such. However, that seems to be loosening up in recent years as more people get nostalgic about the 1980s. And now I’m realizing that that’s like my grandparents being nostalgic for World War 2.

Anyway, that, I think, is why I was able to find a decent amount of material for this song. It was the Heads’ first single and the one that encouraged David Byrne to keep on keeping on. Because, while it didn’t chart huge in the US (peaking at Number 92 on the Billboard Hot 100 Chart), it gave him the understanding that there was, in fact, an audience out there for his rather peculiar musical style.

And, as promised, here’s a video of the Ukulele Orchestra of Great Britain performing their version of this song in 2009. Stay with it, it’s pretty cool.

I am NOT, on the other hand, going to link you to “Psycho Chicken.” You can find that one on your own. You have been warned.

Click here for a transcript of this episode.

Everything Old Is New Again

Phil Collins' 'In the Air' Is a Hit Again, Thanks to Reaction Video

Phil Collins’ “In the Air Tonight,” which we looked at back in Episode 5, is not only on the charts again, it’s made it back into the Top 10 on iTunes in the US, nearly 40 years after its release.

Why? You ask. I presume you’re asking because you’re reading this in 2025 or something, and don’t remember this phenomenon. But a pair of YouTubers, Tim and Fred Williams, have been making videos where they listen to older pop songs recommended by viewers, and they’re recording their reactions as they listen to the song for the first time.

The 21-year-old twins already had a pretty respectable following, and then someone edited their response to “In the Air Tonight” down to a roughly 45-second snippet where they hear the drum break for the first time and they’re both surprised and wowed by it.

The video as a whole (all of their stuff, really) is pretty cool, with them stopping and starting the song to comment in-between, but what makes this one extra-good, I think, is that the song is such a slow burn, they’re slowly warming up to it, and then WHAM! They’re literally (their words) woken up by the beats. The whole thing is worth watching, but if you’re impatient, skip to 4:13:

(Fair Warning: They run an intro at the beginning that drops some NSFW language.)

What’s tough to remember, years and years down the road, is how WE first reacted to this song, and I have to think that it was much the same, and that’s the fun of this particular set of reaction videos. These guys know what they’re talking about musically, and they express it in a unique way. And because they’re usually pulling the songs from YouTube (recursive stuff, that), sometimes they spend a little time reacting to the videos (if the song has an official promotional video).

And once you’ve seen this one, go check out some of their other reaction videos over on YouTube. Their YT handle is TwinsTheNewTrend. Good luck getting out of that rabbit hole.

Click here to become a Patron of the show.

124–Paradise by the Dashboard Light

Cover image for Episode 124: Paradise by the Dashboard Light by Meat Loaf

Meat Loaf was one of those performers who seemed to just come out of the blue, especially if you weren’t familiar with the Rocky Horror Picture Show. But in the early and mid-70s he was better known as an actor than a singer. In fact, he was a comedic actor, given that Jim Steinman met him while the two of them were working on the National Lampoon‘s show Lemmings.

Steinman had written a show called Neverland a few years earlier, and while it had seen workshopping, it hadn’t seen much else, so he and Meat Loaf (or, “Mr. Loaf,” as the New York Times likes to refer to him) chose a few songs from Neverland and used them as the heart of a seven-song suite that comprised an entire album. Meat Loaf’s bombastic acting style and ability to sing combined to create a rock-and-roll soap opera that appealed to teenagers, especially inasmuch as the themes were aimed directly at their hearts…and maybe a couple of other organs. And it served him well when working with Todd Rundgren, who produced the album and thought that perhaps it was a parody of Bruce Springsteen records.

The first obstacle that Steinman and Mr. Loaf had to deal with was getting someone to fund recording and distribution based on the demos, which were usually live performances of Steinman on the piano and Meat Loaf (and occasionally Ellen Foley) singing for record executives, a process that took over two years. It got so bad that their manager once joked that they were creating companies for the sole purpose of rejecting Bat Out of Hell.

“Paradise” wasn’t a huge hit from chart standpoint (there’s a reason for that in the US, but you’re just going to have to listen in), but it did get a ton of radio airplay, and the promotional film that he shot also saw a lot of activity on MTV, especially considering that the song was over three years old by the time that channel made its debut.

I should make one more point: during the show I pulled some audio from an interview with Jim Steinman. I wanted to give some credit, but I have no idea where it came from. If anyone knows, please enlighten me and I’ll do what I can in that respect.

And, as promised, here’s the GoPhone commercial that Mr. Loaf and Tiffany appeared in. You may want to listen to the show first for a little extra context.

Click here to become a Patron of the show.

Click here for a transcript of this episode.

123–Candy Everybody Wants

So this week has been a brief return to work for me, as my school has been preparing for what education is going to look like when classes resume in September. And it’s been playing havoc with me. It’s a stressful time to be a teacher, you bet.

On top of that, I got my second shingles vaccination early this week, and I didn’t have the best of reactions to it, losing a couple of days to some of the side effects. It sucked hard, but it beats having shingles, given what I saw my mother and my father-in-law go through. I’ll take two days of chills over a month of painful rash.

ANYway, today’s episode comes to you as the result of a request by Paul Kondo over at Podcast Gumbo. Paul has done nice stuff for the show a few times, and he had me on as his guest a few weeks ago, so when he said he wanted to hear me talk about a 10,000 Maniacs song, how could I refuse?

I didn’t really have an excellent reason for choosing this song other than I like it, despite its rather dark message. But that became part of the story, of course. Natalie Merchant-era songs from 10,000 Maniacs had that habit of disguising rather incisive lyrics with jaunty melodies so it took the average listener a little bit of time to realize what they were really listening to.

Click here for a transcript of this episode.

Click here to become a Patron of the show.