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A music podcast by Claude Call

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How Good It Is

68–Different Drum

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The Stone Poneys’ only hit was pretty much the nail in the coffin for that band; Capitol Records took every step they could to cut them out of the loop and take on Linda Ronstadt as a solo artist.

Podcast: Play in new window | Download (Duration: 12:44 — 10.3MB)

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Author Claude CallPosted on March 3, 2019Categories Uncategorized

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Liner Notes

Theme music is “Surfing Day” by Marcos H. Bolanos, from his album Unchained Melodies, Vol.2, available at this site, and  licensed under a Attribution-NonCommercial-ShareAlike License. And I hope I did that correctly.

If you’re listening through podcast software, hosting is provided by these folks:

 

 

 

 

 

If you’re a podcaster and you use sound clips in your show, go over to Zhorn Software and download Soundboard. There’s no user manual so it’s not immediately friendly, but you’ll pick it up quickly. Another potential, probably more powerful source for you is Jingle Palette, which has some fun stuff pre-loaded.

Audio production gets a huge assist from Auphonic. Tell them I said Hi. They won’t know what you’re talking about, but that’s all right.

This website may contain copyrighted material, the use of which has not been specifically authorized by the copyright holders. The material is made available on this website as a means of advancing research and teaching related to popular music. Through context and educational framing, this podcast, therefore, creates a transformative use of copyrighted media. The material is presented for entirely non-profit educational purposes. (Look ma, no ads!) There is no reason to believe that the featured media clips will in any way negatively affect the market value of the copyrighted works. For these reasons, I believe that the website and podcast are clearly covered under current fair use copyright laws.
I do not support any actions in which the materials on this site are used for purposes that extend beyond fair use.

Otherwise, everything else on this website and in the podcast is copyright 2017-20 by Claude Call, except where specific citations are noted. Please alert me to anything I may have omitted.

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