John D. Loudermilk (the D doesn’t stand for anything) was a singer-songwriter who wrote a few hits for a few different artists, and he also fancied himself as a prankster. So when he was asked by a Las Vegas radio station about his inspiration for writing the song “Indian Reservation (The Lament of the Cherokee Indian)”, he told a wild tale about meeting a band of Cherokees in a snowstorm. And when Casey Kasem’s crew got wind of the story, they called him to confirm it, and he changed it to sound even more dire. They bought it, Casey aired it, and now that the show is in re-runs, the story gets a national re-airing every now and again. And it’s entirely nonsense. But that also means we don’t really know what led him to write this song, which contains several elements indicating that Loudermilk really knew next to nothing about the Cherokee Nation.
Does that make the song offensive? That seems to be a mixed bag, based on my research. Some people are pretty specific about the fact that it gets so many things just plain wrong. Some people don’t like the whole cultural appropriation end of things, where white guys (Loudermilk as the writer, Fardon and the Raiders as the performers) are singing about Native Americans in the first person.
Some people also make a point of saying “I’m xx% Cherokee and it doesn’t offend me at all.” So in this respect, your mileage may vary.I asked my wife, who is part Cherokee, about it and she doesn’t like the song, largely because of the factual inaccuracies. I think she was pleasantly surprised that I knew what they were, though. But I don’t think she’ll be making a point of tuning in to this episode. Then again, I’m pretty sure she only listens when I play it back in my car and she’s there for it.
At any rate: my apologies for the late delivery, but here’s hoping you enjoy it. As usual, your podcatcher should have it now (or very soon, anyway), or you can listen/download it from here:
Thanks so much for the reviews I’ve seen, and the good words on Facebook. Next week will be a whole bunch of quick bits on Christmas songs, and then—finally—we’ll finish up the year with Part Two of Shel Silverstein.