Posted in 1960s, 1969, 1970, 1970s

Episode 21–Edwin Hawkins

Sad news from the world of music this week as we learn that Edwin Hawkins has died at the age of 74. I have to confess that this came as a surprise because I started doing the math and realized that Hawkins was in his mid-20s when “Oh Happy Day” became a hit. For whatever reason I thought he was at least twenty years older THEN.

Hawkins was the founder of the Northern California State Youth Choir, and the choir recorded some songs to make a fundraiser album, which unfortunately didn’t get pressed until after the event for which they needed the money. That event was a choral competition, and the NCSYC came in second, perhaps because “Oh Happy Day” wasn’t one of the songs they sang. As it turns out, that wasn’t one of their favorite songs!

The unexpected success of “Oh Happy Day” led to the group being asked to provide the backup singing for Melanie’s tribute to her experience at Woodstock, “Lay Down (Candles in the Rain)”.

The Edwin Hawkins Singers experienced some more success on the Gospel charts over the years, and lead singer Dorothy Morrison gained acclaim as a backup singer for several rock artists.

And I’m sure you know the drill by now, but if your RSS feed is failing you somehow, there’s always the player below for listening or downloading:

And please feel free to leave comments here, or leave a review on your favorite podcast software.

Posted in 1970, 1970s

Episode 20–Mercedes Benz

Neil Young sang “It’s better to burn out, than to fade away,” but Damn, Janis, couldn’t you have burned with us just a little bit longer?

Janis Joplin was a ball of raw talent who took a rough childhood and let it inform her musical style. And that almost certainly carried through to the listener. When she sounded sad, so did you. When she was feeling silly, it immediately conveyed. And when she sang in an anguished style, you were right there with her.

What’s more, her band members, whether it was Big Brother and the Holding Company, the Kozmic Blues Band, or the Full Tilt Boogie Band, really knocked themselves out to support her sound. Listen especially hard to the Pearl album, where a lot of the instrumentals were recorded over a ten-day span shortly after Joplin died.

But Joplin’s last recorded album track wasn’t even necessarily meant to be on the album. It was a piece that started out as an a capella goof during a technical breakdown while recording, and the producer decided that it needed to be on the album. What’s more, it needed to remain as-is, without any instrumentation.

I don’t know if her friends drove Porsches, but Janis certainly did. She bought the 1964 vehicle in 1968 for $3500 and used it as her day-to-day vehicle. The car now resides in Gull Lake, MI.

“Mercedes Benz” was based on a piece by Beat poet Michael McClure, and it was a comment on the futility of social climbing by gathering material goods. It was an interesting time for rock musicians, because they were starting to get recognition AND the money that comes with fame, and in a lot of cases they purchased expensive stuff such as cars and big houses even as they decried them in their songs. Despite this somewhat mixed message, the car company took the tone-deaf step of using it in one of their ads.

Next week: more surprise cover songs! I keep finding these things. And one in particular was a huge surprise for me.

If your podcatcher of choice hasn’t picked up the track yet, you’re more than welcome to click on this link to download or listen (opens in a new window), or feel free to listen right here:

And, of course, I’d be only too happy if you were to leave some positive feedback wherever you get your podcasts.