Aja, by Steely Dan, was one of the first albums I purchased with my own money. It wasn’t that I was so enamored by Steely Dan; I’d just heard a lot of good stuff about it so I took a chance.
And while fourteen-year-old me heard a ton of good stuff in it, doing a re-listen these many years later has only cemented this album in my Top Ten of all time. (Small wonder that so many others agree with me on that one.)
Aja was released to rather mixed reviews, but over a relatively small amount of time, many of the critics who didn’t like it at first were won over. It just took a second or third listen to appreciate that Walter Becker and Donald Fagen were doing something genuinely new, fusing multiple genres into a cohesive whole.
As I strongly suggested during the show, go back and listen to this album with headphones. You’ll be amazed at the intimacy of every element on it.
Come with me on the Billy Joel Tour of Long Island!
This week we’re looking at Billy Joel’s longest studio track, from his breakout album The Stranger. Joel was inspired by the last half of Side Two of the Abbey Road album, which also involved several shorter songs stitched together into a longer suite. And, as matters would have it, it’s the last half of Side One of The Stranger. Coincidence? Yeah, probably.
The song mentions several places on Long Island that are pretty easy to identify. But the big to-do about this song concerns the location of that restaurant. Billy Joel gave shout-outs to a lot of people and places on Long Island, so what restaurant was he talking about? That’s one of the mysteries we try to answer this week.
Kansas was literally on the last day of rehearsing for their fifth album when their producer asked them if they had anything else. Guitarist and songwriter Kerry Livgren reluctantly broke out an acoustic song that he was convinced the rest of the band would hate, because it was practically the opposite of everything Kansas had done until then. But it turned out to be exactly the opposite: they loved it, and they fine-tuned the song to give some of the other band members something to do (extra guitar, violin part, and a smidge of percussion), and it turned into the album’s second single and the biggest hit of their career.
And that’s about it, there’s not much mysterious about this song. It’s been either used or referenced in countless pop culture arenas, and it’s been successfully covered a few times, curiously enough by Country singers most of the time. Many people know about Sarah Brightman’s cover of the song, but I’m going to encourage you to check out last year’s recording by Caroline Jones. (No, I don’t know why she’s singing in a pond, unless she wanted to do the exact opposite of Kansas’ video.)
This may come as a complete surprise to you, but if you don’t have podcast software on your mobile device, you can listen to/download the show right here!
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When Jimmy Webb got his heart broken, what did he do? Why, he did what any other red-blooded American would do: he wrote a couple of hit songs and made a million bucks off the incident!
OK, that’s not the most common reaction, but it’s what happened back in 1967, when he wrote a song that was turned down by The Association, but picked up by an actor who’d decided he wanted to conquer the music charts.
If you’ve got a favorite podcatcher, you should be able to hear this week’s show already, or you can just click on the player below to listen/download:
And, as usual, if you were to go to iTunes or wherever you find your podcasts and leave a rating, and maybe even some feedback, I’d be much obliged. Which reminds me: let me give a shout-out to Connie Paulson, who wrote such nice things on the Facebook page, and to Bob C. (dunno if he wants to be identified), who left a wonderful review on iTunes! Thanks so much, guys. That really warmed my heart a little bit.
It was on this day in 1977 that a plane went down in southwest Mississippi, in a small town called Gillsburg. Even today, forty years later, Gillsburg looks like little more than a wide spot in the road, but its main claim to fame is that plane crash, which took the lives of Ronnie Van Zant and Steve Gaines, along with Gaines’ sister Cassie, all members of the band Lynyrd Skynyrd. Also killed in the crash were assistant road manager Dean Kilpatrick, pilot Walter McCreary, and co-pilot William Gray. Other band members and passengers on the plane suffered serious injuries.
The band’s album, Street Survivors, had been released only a few days earlier and had already gone gold. The publicity from the crash helped push the album to multi-platinum status and a spot in the Top Five on the Billboard Album Chart. The unfortunate cover of the album was swiftly replaced until just a few years ago.
But this week we’re looking at a song from their first album, titled (Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd) that became the band’s signature tune, and the punchline to pretty much any concert-related joke. “Free Bird” was a song that was over two years in the making, and it was assembled through a combination of necessity, serendipity and a flash of Ah-HA! inspiration. And I’ve managed to make this particular podcast longer than any recorded version of the song.
Here’s the clip of the band playing during the Vicious Cycle Tour in 2003. Check out the piano introduction and how sweet the strings make it:
If you’ve got a favorite podcatcher, you should be able to hear this week’s show already, or you can just click the player below:
And, as usual, if you were to go to iTunes or wherever you find your podcasts and leave some feedback, well, that would put me forever in your debt. Until I repaid the favor, of course.