Episode 109–Get Go-Going

The Go-Go’s (somehow that always looks wrong) started out in the late 1970s as a punk band in Los Angeles, and they were a pretty solid presence in that city’s Punk scene. But as they started to grow in prominence, they moved away from that edgy sound and into more of the pop scene.

When IRS records finally signed them in 1980, they cut their first album, which included a re-recording of their first single. If you listened to college radio, you probably remember the original version of “We Got The Beat,” which was an import here in the US and was actually part of their demo record. You probably also found yourself wondering what happened to it when you finally heard the song released as a single in the early days of 1982, while “Our Lips Are Sealed” was making its slow climb back down the charts.

Well…wonder no more, because I’ve got that story for you right here.

Click here for a transcript of this episode.

Episode 105–Under the Covers, Part 6

True story: I hire models from Fiverr to do these pictures. All three of them, coincidentally, are from the same (non-US) nation. I don’t do that on purpose but I’m starting to think I have a “type”.

Thanks for your patience as the show migrates from one server to another. As I noted on the social media, I’m working hard to make it as invisible as possible if you listen via Google or Apple or Spotify, etc. And the website here is going to look kind of weird for awhile with a lot of double posts for previous episodes, until I pick my way through and fix them, one by one. Fun, Fun, Fun!

This week, we’re taking yet another look at a few songs which you may not have known were covers, and nearly all of them were suggested by a listener named Kim, who didn’t feel that a shout-out was necessary, but obviously I don’t feel the same way. Kim had a list of songs that could work, and I said “Sure” to most of them, with a single exception, and that’s mostly because the story is a little convoluted and I may have to turn it into an episode of its own down the road a ways.

Anyway: a new hosting partner means a new player here on the webpage for you, and I do have a little bit of customizing control over it (something I didn’t previously have at all), so I’m happy to hear your suggestions. And, of course, please let me know if you hit any weird technical snags.

Finally, as promised: here’s the original French song I discussed during the show. Check out those lyrics; it’s rather poignant.

Click here for a transcript of this episode.

Episode 91–Under the Covers, Part 5

Holy Moly! The show is back!

For those of you who don’t follow the show on Facebook or Twitter, I’ll be posting the pictures here in another couple of days, outlining the New Studio Project. My return to the Podcast Zone was delayed a little bit by a faulty cable I needed to replace, plus I was getting into a weird funk. But fortunately I got a mental boot in the butt by Greg Yates over at the No Head Trash Nation Podcast. I met Greg a few weeks ago when I was in Orlando and, while he considers himself a relative newbie to podcasting, I’m constantly finding myself saying “Yeah, this guy knows his stuff.” “Holy cow, he’s right.” He and I spoke face to face for about twenty minutes and I’m practically ready to follow him into a burning house. Anyway, Greg’s a smart guy and you should check out his show.

But first, you’ve been waiting forever for this show! And here it is! The songs in this show were actually selected several months ago, and I lost the list. (That does seem to happen to me a lot, doesn’t it.) It turned up when I was cleaning out a computer bag, and I took it as a sign from above. Or from my computer bag, whatever.

At any rate, you probably know that most of the songs I talk about today are covers, but I’m pretty sure I still have a couple of surprises for you. Go check it out.

Click here for a transcript of this episode.

Episode 82–Under the Covers 4

Click here for a transcript of this episode.

It’s been a long time since I did a show like this one, and the timing probably couldn’t have been worse.

As I note during the show, I’m on the road for the next several days, so I’ve got a condensed version of my usual recording setup. I can get the job done, but the recording and the editing process are very, very different from what I usually do. Typically after I write the episode I edit all my sound elements and then load them all into a piece of software that keeps them organized until I need them. Then I crack the mic open and play the elements as they’re needed. If I make a huge mistake, I have to find a point where editing won’t show. Because there’s usually background sound going on, I sometimes have to backtrack a lot. But generally it takes me 30-40 minutes to record a 15 minute show. Do a little editing and boom, it’s ready for processing and uploading.

This time around, it’s a gigantic jigsaw puzzle of my recorded voice, plus all the other elements patched in. Plus I have to control audio levels through software rather than through my mixing board, so it’s a whole other kind of thing. And maybe it’s me but recording this way kind of saps some of my vocal energy out of the project.

So after nearly a year, we return to the Well of Cover Songs, wherein we look at songs that you may not realize are covers of another artist’s work. And in my opinion, in each of these cases, the cover is the superior version. That’s not something you can always say (and I cite a specific example during the show).

At any rate, after a few hours of overtime, here’s Episode 82.

Episode 15–Thriller

It was the biggest album of 1982, and the title track was the last Top Ten single to come from it. That’s seven singles out of nine tracks total.

Michael Jackson wanted to top not only the success, but the ambition of his previous album, Off The Wall, and I think we can all agree that he more than succeeded. Thriller remains the largest-selling album of all time.

What! you say, bigger than Sgt. Pepper’s Lonely Hearts Club Band? Bigger than Dark Side of the Moon? Bigger than Bat Out of Hell? Yes, indeed. As of this week, the top 15 all-time sellers are:

Artist

Album Title Year

Sales (in millions)

Michael Jackson Thriller

1982

66

AC/DC Back in Black

1980

50

Pink Floyd The Dark Side of the Moon

1973

45

Meat Loaf Bat Out of Hell

1977

43

Whitney Houston / Various artists The Bodyguard Soundtrack

1992

42

Eagles Their Greatest Hits (1971–1975)

1976

42

Bee Gees / Various artists Saturday Night Fever Soundtrack

1977

40

Fleetwood Mac Rumours

1977

40

Shania Twain Come On Over

1997

39

Led Zeppelin Led Zeppelin IV

1971

37

Michael Jackson Bad

1987

35

Alanis Morissette Jagged Little Pill

1995

33

Celine Dion Falling into You

1996

32

The Beatles Sgt. Pepper’s Lonely Hearts Club Band

1967

32

Michael Jackson Dangerous

1991

32

That’s THREE albums Jackson has in the all-time Top 15, and Off the Wall isn’t even one of them. (It’s way down the list, a spot or two below HIStory.)

This was one of the pictures originally considered for the album’s cover, which is why they used it for the Special Edition.

Anyway. Today we’re looking at the title track, a song that started as “Starlight” and ended with Quincy Jones’ wife recruiting Vincent Price to do a little white-boy rap.

Per our Standard Operating Procedure, if you’ve got a favorite podcatcher, you should be able to hear this week’s show already, or you can just click the player below:

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