First up: this should be the end of the oddball uploads. The show itself is completely migrated, and I’ve gotten a few personal issues out of the way, so I should be back to Sunday night releases beginning next week.
Are we good now? OK.
This week’s show is a little bit on the short side, largely because there wasn’t as much story to tell as I thought there’d be, but I’m definitely going to wind up making up for it with next week’s show. At any rate: Styx’s attempt at a rock opera kind of concept was both very successful and very confusing to a big chunk of their fan base, who stayed away in droves. It managed to fracture the band at the end of the tour, and for thirty-five years they refused to play it in concert.
For those of you who are interested, here’s a picture of the original Kilroy from the World War Two era:
This image, in fact, can be found etched into the World War II memorial in Washington, DC, and it’s a pretty typical version of the image. Sometimes the words appeared below the line, or at another point, but you get the idea. And Kilroy does have dots for eyes; they’re kind of tough to see here because of the granite surface.
In 1981 Bonnie Tyler had exactly one hit, 1977’s “It’s a Heartache”, so it was no mystery why people were calling her a one-hit wonder. Her record label cut her loose, so she found a new manager and talked Jim Steinman, the guy responsible for Meat Loaf’s Bat Out of Hell, into partnering with her for a new album. Steinman wasn’t easily convinced, but ultimately he came to her with a couple of older songs that he thought she could record, and when she agreed to those, he came to her with a nearly complete package: here’s the song, here’s who else is going to be performing on it, you just need to come in and sing your little heart out.
That doesn’t match with the popular narrative, that “Total Eclipse of the Heart” was originally written for Meat Loaf as part of his follow-up album to Bat Out of Hell, but it turns out that the guy responsible for that popular narrative about Meat Loaf was…Meat Loaf. But the story caught on, because if you listen to “Eclipse,” you could easily imagine its huge levels of production as being Meat Loaf-esque. But “Eclipse” wasn’t written for him, nor was the other song (a hit for Air Supply) to which he laid the same claim.