It’s a glorious day here in Baltimore, so of course I’m inside maintaining this website. But don’t worry: I’ll be getting my fresh air later when I attend the Aberdeen Ironbirds game. Come find me in Section 115.
At any rate, I’m making a few changes to the older posts, eliminating the on-site players in favor of embedded players from the Podomatic website, so I can keep better track of my download/playback statistics. I don’t think this will create any hassles for you if you’re a regular reader of this site, but if it does, my apologies in advance (and please let me know if that’s the case).
I mentioned this on Facebook, but it bears updating and repeating here:
As of ten minutes ago, this show has:
304 plays, either directly at Podomatic or streamed through a mobile device—only one of which appears to have been “skipped”;
257 plays via embeds (since May 26, when I first started using the Podomatic embed);
Uncounted plays from directly at this website (because that’s the way that goes, and why I’m making these changes)
I can’t possibly thank you so much for all of your support. If you’d like to translate that support into cash, I wouldn’t turn it down. Heh. (Seriously, though, I’ll be setting up a Patreon soon, as soon as I can figure out a decent Thank You kind of giveaway.) Also please take the time to give the show a rating and a review wherever you happen to listen to it.
Now go outside and get some fresh air on my behalf!
Ugh. I really hate doing this, but there’s no show this week. I’ve got an upper respiratory infection, which I think you were able to hear a little bit of last week, but it’s really affected both my voice and my ability to concentrate.
If it clears up faster than I anticipate, I’ll record and release a show mid-week, with another next Saturday. Otherwise it’ll be next week.
As I mentioned during last week’s show, the podcast is taking two weeks off so I can have some actual vacation time. But don’t worry! I’m still writing material (getting ahead of the curve? Let’s not count on that too heavily), and on April 7 I’ll be back with a new episode, in which I take the time to defend a song that I generally consider to be indefensible. Tune in for that bit of fun!
So for those of you who listen via iTunes, or some other podcatcher: I owe you a huge apology.
I’d uploaded this week’s episode into Podomatic, which hosts my RSS feed, but somehow I managed to miss hitting the “Publish” button. It’s a mistake I didn’t catch until today. At any rate, the problem has been rectified, and I’m a dope.
Also, I had one thing in mind for this week’s show, but I’m going to do another thing instead, because the first idea gave me writer’s block.
For the record (heh), I have no idea why I goofed during the recording of Episode 19. But goof I did.
When I put each podcast together, I have a bunch of information that I’m trying to gather into a coherent narrative. Since I don’t typically think that way, that means that I script about 90% of the show, and only leave a small amount of time to ad-libs or other happy accidents. I also mix the show as I record it in small chunks, so a 10-13 minute podcast can be made up of anywhere between 8 and 20 elements that I have to mix and/or edit together. That’s neither here nor there; the important thing I’m trying to convey is that the show is largely scripted.
So while I was editing, I noticed something I’d said incorrectly. And I said it with such confidence that, when I heard it–and realized immediately that I’d said something wrong, I said, “That’s gotta be in the script.” So I went back to the script and…nope, it’s written correctly. So, without explanation, I have to apologize for something I said at about 9:30 in the show. I said, “I kinda like what they did in the first verse, with Bill Medley losing patience.” In fact, that happened in the third verse, not the first.
I don’t know what was going through my head (BuSpar, maybe), but as soon as I heard it, I knew better. But I also knew that I wasn’t going back to the studio to re-record a single sentence for a relatively inconsequential error. So now you get a dopey story here.
I’ve said some version of this on Twitter and on Facebook a couple of times, but not here.
Considering that this is a podcast that’s relatively new, it’s pretty cool to see that I’ve already got some regular visitors who visit this site from different spots around the world. I often see Canada, Poland and the UK in my analytics (don’t worry, I don’t see anything more specific than that), but this week I’ve also seen India and Peru. In recent weeks I’ve seen the Philippines, China and Japan. That’s very exciting to me!
I’m not quite tearing up the internet; my download count still numbers somewhere in the hundreds. But what fan base I do have appears to be a pretty dedicated group, and I thank you for listening, for your suggestions, and (in at least one case that I know of) for your evangelism.
So here’s my early Christmas present to you: long-time friend (and friend of the podcast) Doug Miles has been a fan of the Big Band sound as long as I’ve known him, and probably longer, given how encyclopedic his knowledge base has always seemed to be, and he’s got some BB-related shows that run on an irregular basis, but he’s just released a couple of hours of some fantastic Christmas songs from that era. There are a few traditional hits that you still hear today, but he’s done a deep-dive into some great stuff that you don’t often hear anymore. Check him out over here. (Never mind the name in the link, I promise it’s correct.) Also: damn, but does his voice have some resonance to it. Am I allowed to hate on him for that?
As a reminder: in this week’s episode, we’re going to look at the song that carried The Doors from wannabe Beat Poets to the firmament of Rock and Roll Stars. See you on Saturday!
How Good It Is is a podcast that takes a close look at songs, mostly from the 1950s through the 1980s, and dives into the stories behind them. We’ll look into rumors, figure out some puzzles, discover hidden meanings, and a few other odds and ends.
How Good It Is will release on a weekly basis, with some breaks every now and again so I can recharge the batteries and collect new (old) material. The shows I have already recorded are running about 10-15 minutes in length, which is about all anyone’s attention span can handle when it comes to listening to me.
Assuming all goes well, I expect the first show to release on August 18.
Do you have questions or suggestions? You can email me at HowGoodPodcast@gmail.com, and don’t forget to follow me on Twitter, @HowGoodItIsPod.